KHALED, LIBERTÉ (WRASSE RECORDS)
[DUNKELBUNT]
A NEW DAY; LAYA PROJECT REMIXED
ADDIS ACOUSTIC PROJECT
AFRO ROOTS WORLD MUSIC FESTIVAL
AMADOU & MARIAM
ANTÓNIO ZAMBUJO
APHRODESIA
BALKANBEATS
BANCO DE GAIA
BOBAN I MARKO MARKOVIC ORKESTAR
BOBAN I MARKO MARKOVIC
BOY WITHOUT GOD
C.J. CHENIER
CARLOS GOGO GOMEZ
CHOBAN ELEKTRIK
CHOPTEETH
CHRISTIANE D
CHRISTINE VAINDIRLIS
CLARA PONTY
COPAL
CUCHATA
DAMJAN KRAJACIC
DANIEL CROS
DEBO & FENDIKA
DEL CASTILLO
DR JAYANTHI KUMARESH
EARTHRISE SOUNDSYSTEM
EGYPT NOIR
ELIN FURUBOTN
EMILY SMITH
FANFARE CIOCARLIA VS. BOBAN & MARKO MARKOVIC
FEUFOLLET
FIAF PRESENTS WORLD NOMADS MOROCCO: MUSIC
FOOTSTEPS IN AFRICA
GECKO TURNER
GENTICORUM
GEOFF BERNER
GIANMARIA TESTA
GODS ROBOTS
GUARCO
HUUN HUUR TU
INDIAN OCEAN
IRENE JACOB & FRANCIS JACOB
JANAKA SELEKTA
JANYA
JERRY LEAKE
JOAQUIN DIAZ
JOEL RUBIN
JORGE STRUNZ
JOSEF KOUMBAS
JOYFUL NOISE (I GRADE RECORDS)
JUST A BAND
KAMI THOMPSON
KARTICK & GOTAM
KHALED
KHING ZIN & SHWE SHWE KHAING
KITKA'S CAUCASIAN CONNECTIONS PROJECT PERFORMANCES AND WORKSHOPS
KMANG KMANG
KOTTARASHKY AND THE RAIN DOGS
LA CHERGA
LAC LA BELLE
LAYA PROJECT
LENI STERN
LES TRIABOLIQUES
LISTEN FOR LIFE
LOBI TRAORÉ
LO'JO
LOKESH
MAGNIFICO
MAHALA RAI BANDA
MIDNITE
MOHAMMED ALIDU AND THE BIZUNG FAMILY
MR. SOMETHING SOMETHING
MY NAME IS KHAN
NAWAL
NAZARENES
NO STRANGER HERE (EARTHSYNC)
OCCIDENTAL BROTHERS ON TOUR
OCCIDENTAL GYPSY
OREKA TX
ORQUESTRA CONTEMPORÂNEA DE OLINDA
PABLO SANCHEZ
PEDRO MORAES
RAYA BRASS BAND
SALSA CELTICA
SAMITE
SARA BANLEIGH
SARAH AROESTE
SELAELO SELOTA
SHYE BEN-TZUR
SIA TOLNO
SIBIRI SAMAKE
SISTER FA
SLIDE TO FREEDOM II
SONIA BREX
SOSALA
SWEET ELECTRA
SYSTEMA SOLAR
TAGA SIDIBE
TAJ WEEKES
TARANA
TARUN NAYAR
TE VAKA
TELEPATH
THE MOUNTAIN MUSIC PROJECT
THE NATIVE AMERICA NORTH SHOWCASE
THE SPY FROM CAIRO
TITO GONZALEZ
TOUSSAINT
VARIOUS ARTISTS
VARIOUS ARTISTS
WATCHA CLAN
WHEN HARRY TRIES TO MARRY SOUNDTRACK
WOMEXIMIZER
WOMEXIMIZER
ZDOB SI ZDUB
ZIETI
CD Review

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Lucid Culture, CD Review >>

This auspiciously mostly-acoustic cd is not a radical change from the slick electronicized dance material the famous Algerian rai-rocker has ground out for most of his career. There’s still drum machine on many of the cuts (especially the trip-hop and downtempo numbers), along with synthesizers faking brass and string parts (and also adding a completely unintentional, comedic 80s feel in places). But there’s also a full acoustic band here, a welcome continuation of the turn back to real North African rai that the former Cheb Khaled has taken over the last ten years – let’s not forget that the Algerians invented trip-hop in the first place. It wouldn’t be an exaggeration to say that musically at least, this is one of Khaled’s best albums, right up there with his earliest stuff from 1982-83. This cd is back-loaded, almost the equivalent of two albums: the poppier stuff first, followed by the more traditional songs, rich with oud, flute, violin, rattling percussion and fullscale orchestration in places. Over the past almost thirty years, Khaled’s voice has also taken on a darker tone, lending a welcome gravitas to many of the songs.

Of the initial cuts, the title track kicks off with a long accordion and vocal jam and grows to a bouncy midtempo dance number that takes on a somewhat western feel with jangly guitar and synth. The most intense song on the cd is the dark, spare, Rachid Taha-inflected requiem Papa, Khaled’s anguished, melismatic French-language vocals laden with pain and loss. After the hip-hop flavored Raikoum, it’s all oldschool and and it’s very compelling, from the somewhat mysterious, shuffling Sbabi Ntya to the sparsely but beautifully orchestrated Soghri. The cd wraps up with a funky song that gradually adds layers, right up to a gorgeous, dramatic, lushly Levantine outro, and then a midtempo ballad with a nice bass-and-piano groove and a haunting violin solo. For non-Arabic speakers, this works equally well as chillout or dance music – it’s a great way to get to know one of the most important figures in the world of Middle Eastern music over the past few decades.

 08/25/09 >> go there

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