HUUN HUUR TU, ANCESTORS CALL (WORLD VILLAGE)
[DUNKELBUNT]
A NEW DAY; LAYA PROJECT REMIXED
ADDIS ACOUSTIC PROJECT
AFRO ROOTS WORLD MUSIC FESTIVAL
AMADOU & MARIAM
ANTÓNIO ZAMBUJO
APHRODESIA
BALKANBEATS
BANCO DE GAIA
BOBAN I MARKO MARKOVIC ORKESTAR
BOBAN I MARKO MARKOVIC
BOY WITHOUT GOD
C.J. CHENIER
CARLOS GOGO GOMEZ
CHOBAN ELEKTRIK
CHOPTEETH
CHRISTIANE D
CHRISTINE VAINDIRLIS
CLARA PONTY
COPAL
CUCHATA
DAMJAN KRAJACIC
DANIEL CROS
DEBO & FENDIKA
DEL CASTILLO
DR JAYANTHI KUMARESH
EARTHRISE SOUNDSYSTEM
EGYPT NOIR
ELIN FURUBOTN
EMILY SMITH
FANFARE CIOCARLIA VS. BOBAN & MARKO MARKOVIC
FEUFOLLET
FIAF PRESENTS WORLD NOMADS MOROCCO: MUSIC
FOOTSTEPS IN AFRICA
GECKO TURNER
GENTICORUM
GEOFF BERNER
GIANMARIA TESTA
GODS ROBOTS
GUARCO
HUUN HUUR TU
INDIAN OCEAN
IRENE JACOB & FRANCIS JACOB
JANAKA SELEKTA
JANYA
JERRY LEAKE
JOAQUIN DIAZ
JOEL RUBIN
JORGE STRUNZ
JOSEF KOUMBAS
JOYFUL NOISE (I GRADE RECORDS)
JUST A BAND
KAMI THOMPSON
KARTICK & GOTAM
KHALED
KHING ZIN & SHWE SHWE KHAING
KITKA'S CAUCASIAN CONNECTIONS PROJECT PERFORMANCES AND WORKSHOPS
KMANG KMANG
KOTTARASHKY AND THE RAIN DOGS
LA CHERGA
LAC LA BELLE
LAYA PROJECT
LENI STERN
LES TRIABOLIQUES
LISTEN FOR LIFE
LOBI TRAORÉ
LO'JO
LOKESH
MAGNIFICO
MAHALA RAI BANDA
MIDNITE
MOHAMMED ALIDU AND THE BIZUNG FAMILY
MR. SOMETHING SOMETHING
MY NAME IS KHAN
NAWAL
NAZARENES
NO STRANGER HERE (EARTHSYNC)
OCCIDENTAL BROTHERS ON TOUR
OCCIDENTAL GYPSY
OREKA TX
ORQUESTRA CONTEMPORÂNEA DE OLINDA
PABLO SANCHEZ
PEDRO MORAES
RAYA BRASS BAND
SALSA CELTICA
SAMITE
SARA BANLEIGH
SARAH AROESTE
SELAELO SELOTA
SHYE BEN-TZUR
SIA TOLNO
SIBIRI SAMAKE
SISTER FA
SLIDE TO FREEDOM II
SONIA BREX
SOSALA
SWEET ELECTRA
SYSTEMA SOLAR
TAGA SIDIBE
TAJ WEEKES
TARANA
TARUN NAYAR
TE VAKA
TELEPATH
THE MOUNTAIN MUSIC PROJECT
THE NATIVE AMERICA NORTH SHOWCASE
THE SPY FROM CAIRO
TITO GONZALEZ
TOUSSAINT
VARIOUS ARTISTS
VARIOUS ARTISTS
WATCHA CLAN
WHEN HARRY TRIES TO MARRY SOUNDTRACK
WOMEXIMIZER
WOMEXIMIZER
ZDOB SI ZDUB
ZIETI
Album Review

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The Whole Music Experience, Album Review >>

There are few musical cultures left on the planet that take us to a deeply primal place and even some of those cultures, mainly hailing from indigenous people have been swallowed up by electronic music or turned into popular culture in the form of world music. But for any of you who have listened to an a cappella Saami yoik, a traditional Navajo chant, Aboriginal didgeridoo, Tibetan nomadic music, or Tuvan throat-singing have experienced that deep primal place. Your root chakra opens.

Shamanism and music were wedded to each other hundreds of thousands of years ago. The first flutes, drums, harps, etc were put to shamanic use, as were many of the early singing traditions. These shamans knew about the power and intent of sound and put it to good use either healing others in some way or put it to bad use through sorcery to trip up an adversary. But even without any prior knowledge of shamanism or ancient musical practices, a music listener can experience their rootedness to the natural world listening to primal music. This certainly proves true with the Tuvan quartet Huun Huur Tu’s latest recording, Ancestors Call.

The CD liner notes speak of this natural connection and for many listeners an experience of merging with the natural world, whether a rock, a stream, or the sky feels like a real possibility. Listening to Ancestors Call provides an adventure into the unknown, even if the listener is already familiar with Tuvan throat-singing and culture. Many of us aren’t that familiar with this Central Asian country, its nomadic people, or its music which only lends to further fascination. And the desire to delve further in the exploration of something truly foreign feels like a compelling need to some of us.

Daniel Levitan writes in his book, This is Your Brain on Music, that our musical tastes are formed by the time we reach 20 years of age. However, as a caveat, he mentions a separate group of humans who possess more adventurous taste in music and the musical journey becomes the equivalent of lifelong education, at least it is for me. I didn’t grow up with Tuvan throat-singing or anything closely resembling it and how does a person make the leap from Disney tunes to rock music to exotic world music or the music of indigenous people? The word "indigenous" didn’t even enter my vocabulary until I was 28 years old when a downstairs neighbor introduced me to a collection of indigenous chants released by Ellipses Art. And yes, Tuvan throat-singers appeared in the collection of field recordings. However, at that time, I wasn’t ready to listen. Now I am.

Ancestors Call feels more like a universal spiritual experience than a recording. Yes, the CD contains music, but sounds so exotic that it feels more like entering a sacred space and as the title implies, connecting with ancestors, but not just of humans, of every creature. The only other time I felt this deeply connected to nature through music was when I first discovered Saami yoiks. And by the way, Saami yoikers also practice throat-singing.

While I don’t want to give the wrong impression, throat-singing appears on this recording, but along with singing and traditional instruments. The singing at times sounds similar to the Tibetan nomads or traditional Chinese folksongs. I imagine that the legendary Silk Road and itinerant musicians have something to do with the Chinese modes and scales, even vocal inflections appearing in the Tuvan music. But then who really knows about who taught who how to sing?  Love songs appear alongside songs of defiance. Horses and women are honored in these songs, as well as, the ancestors in the haunting closing track.

I recommend this recording for anyone fascinated with folk cultures from around the world, but also shamanic practices that employ music/sound. The most amazing aspect of discovering a new type of vocalization (this one is ancient), is that it allows us to move away from the European well-tempered scale and the Bel Canto singing style that most of us have come to accept as normal. The world offers so much more to those who enjoy quests. Take this one, it's well worth it. 10/06/10 >> go there

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