JOYFUL NOISE (I GRADE RECORDS)
[DUNKELBUNT]
A NEW DAY; LAYA PROJECT REMIXED
ADDIS ACOUSTIC PROJECT
AFRO ROOTS WORLD MUSIC FESTIVAL
AMADOU & MARIAM
ANTÓNIO ZAMBUJO
APHRODESIA
BALKANBEATS
BANCO DE GAIA
BOBAN I MARKO MARKOVIC ORKESTAR
BOBAN I MARKO MARKOVIC
BOY WITHOUT GOD
C.J. CHENIER
CARLOS GOGO GOMEZ
CHOBAN ELEKTRIK
CHOPTEETH
CHRISTIANE D
CHRISTINE VAINDIRLIS
CLARA PONTY
COPAL
CUCHATA
DAMJAN KRAJACIC
DANIEL CROS
DEBO & FENDIKA
DEL CASTILLO
DR JAYANTHI KUMARESH
EARTHRISE SOUNDSYSTEM
EGYPT NOIR
ELIN FURUBOTN
EMILY SMITH
FANFARE CIOCARLIA VS. BOBAN & MARKO MARKOVIC
FEUFOLLET
FIAF PRESENTS WORLD NOMADS MOROCCO: MUSIC
FOOTSTEPS IN AFRICA
GECKO TURNER
GENTICORUM
GEOFF BERNER
GIANMARIA TESTA
GODS ROBOTS
GUARCO
HUUN HUUR TU
INDIAN OCEAN
IRENE JACOB & FRANCIS JACOB
JANAKA SELEKTA
JANYA
JERRY LEAKE
JOAQUIN DIAZ
JOEL RUBIN
JORGE STRUNZ
JOSEF KOUMBAS
JOYFUL NOISE (I GRADE RECORDS)
JUST A BAND
KAMI THOMPSON
KARTICK & GOTAM
KHALED
KHING ZIN & SHWE SHWE KHAING
KITKA'S CAUCASIAN CONNECTIONS PROJECT PERFORMANCES AND WORKSHOPS
KMANG KMANG
KOTTARASHKY AND THE RAIN DOGS
LA CHERGA
LAC LA BELLE
LAYA PROJECT
LENI STERN
LES TRIABOLIQUES
LISTEN FOR LIFE
LOBI TRAORÉ
LO'JO
LOKESH
MAGNIFICO
MAHALA RAI BANDA
MIDNITE
MOHAMMED ALIDU AND THE BIZUNG FAMILY
MR. SOMETHING SOMETHING
MY NAME IS KHAN
NAWAL
NAZARENES
NO STRANGER HERE (EARTHSYNC)
OCCIDENTAL BROTHERS ON TOUR
OCCIDENTAL GYPSY
OREKA TX
ORQUESTRA CONTEMPORÂNEA DE OLINDA
PABLO SANCHEZ
PEDRO MORAES
RAYA BRASS BAND
SALSA CELTICA
SAMITE
SARA BANLEIGH
SARAH AROESTE
SELAELO SELOTA
SHYE BEN-TZUR
SIA TOLNO
SIBIRI SAMAKE
SISTER FA
SLIDE TO FREEDOM II
SONIA BREX
SOSALA
SWEET ELECTRA
SYSTEMA SOLAR
TAGA SIDIBE
TAJ WEEKES
TARANA
TARUN NAYAR
TE VAKA
TELEPATH
THE MOUNTAIN MUSIC PROJECT
THE NATIVE AMERICA NORTH SHOWCASE
THE SPY FROM CAIRO
TITO GONZALEZ
TOUSSAINT
VARIOUS ARTISTS
VARIOUS ARTISTS
WATCHA CLAN
WHEN HARRY TRIES TO MARRY SOUNDTRACK
WOMEXIMIZER
WOMEXIMIZER
ZDOB SI ZDUB
ZIETI
CD Review

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Short and Sweet NYC, CD Review >>

Joyful Noise is a new reggae compilation from I Grade Records, a Virgin Islands based record label. The way the album works is there are four roots reggae riddims (basically the musical backing track) being used five times each with a variety of artists taking a stab singing over them. All in all I’d say these are decent songs if you are a reggae fan. Not the best I’ve ever heard but not the worst either. However, listening to the entire album and hearing essentially the same songs over and over is bizarre and can be rather frustrating. I liken the experience to that of Bill Murray in Groundhog’s Day. The first go-round was pretty standard, nothing extraordinary but certainly some high points. Then I heard the music of the first track start again. I was confused at first and thought I was mistaken, but sure enough the second, third, and fourth songs also repeated. The singers were different, but it’s hard to really take notice of that when you are in a state of disbelief. I accepted how this was going to go down but it still sort of got on my nerves. Every time I heard the intro of the first riddim begin again it sounded more and more spiteful. I don’t know if this is common practice among reggae comps because I generally listen to one artist at a time, or in some cases one producer. Of the four, I’d say the third riddim (known as the “Flying High Riddim”) was my favorite. It was probably the mellowest, but in a minor key and with a good sense of longing. It’s hard to pick definitive versions of the different tracks because most of the album did blend together and few songs stood out. Special mention should be made of Danny I’s “Hold On” for putting a noticeably different take on the “Harvest Riddim.” If you love roots reggae and don’t think you’ll be put off by the repeated musical tracks, then give it a try. However, if you skip this one, you won’t be missing anything phenomenal. 01/20/10 >> go there

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